Trish Adams - Curriculum Vitae
Education
2005
Doctor of Visual Arts, Queensland College of Art, Griffith University, Brisbane, Australia.
1998
B.A.V.A.Honours I, Queensland University of Technology (QUT), Brisbane, Australia.
1995 (Feb.) - 1997 (Dec.)
Bachelor of Arts, Visual Arts – B.A.V.A. QUT, Brisbane, Australia.
1994 (Dec.) - 1992 (Sept.)
Bachelor of Fine Arts, University of Miami, Miami, U.S.A (Transferred to QUT for completion as B.A.V.A.).
Selected Exhibitions
2013
‘Urban Swarming’, RMIT Design Research Centre, 25 April-25 May (TBC)
‘Urban Swarming_02’, ‘Multi Species Intra-Art’, MOP Gallery, Chippendale, Sydney, July 8-29. http://intraactionart.com/
‘Co_L_Lapse’, “TOXICITY’,Plug-In ICA, Winnipeg, Canada. 1 November 2013-9 February 2014.
2012
‘HOST’, Museum of Contemporary Art. Albuquerque, ISEA 2012, September.
‘HOST’, Spectrum Project Space, Edith Cowan University, Perth, June/July.
2011
‘Changing Fates_004’, New York Hall of Science, Digital11, ‘The Alchemy of Change’
2010
‘mellifera : neoNacent’, Experimedia, State Library, Victoria in Freeplay
‘Mellifera’, RMIT Virtual Reality Centre & Federation Square live-feed
large scale projection, April.
2009
HOST, Transmediale Berlin, Germany, 27th January-1st February
Mellifera, Second Life in-world launch, Australia Council for the Arts, Sydney, March
Changing Fates_matrilineal, Art & the Biotech, Experimental Art Foundation, Adelaide, April
HOST, large-scale projection, Creative Industries Precinct, Brisbane, April
Mellifera, ‘the block’, QUT Creative Industries, Brisbane, August
TAXA, RMIT Virtual Hub, (Gallery 91), Melbourne, November
2008
HOST, The University Art Museum, The James & Mary Emelia Mayne Centre, The University of Queensland, Brisbane, 6 March – 6 April.
2007
Something quite “Other”, Wonbit, Scientific & Feminist Approaches, Rome, Italy www.wonbit.net, June.
Dolly 00121, Allegories of the Genome, Vancouver, Canada, www.genomic-art.com , available on-line.
2006
Changing Fates, Harries National Digital Art Awards, Finalist, the block, QUT Creative Industries Precinct, Brisbane, 17 May – 4 June.
in vitro, Re-Active, the block, QUT Creative Industries Precinct, Brisbane, 28 February – 25 March.
2005
Dolly 00121, Harries National Digital Art Awards, Finalist, the block, QUT Creative Industries Precinct, Brisbane, 4 August – 3 September & Beijing Film Academy, Beijing, China.
‘machina carnis’, Brisbane Powerhouse, Brisbane, 5 – 11 June.
2004
Beryllium, Art & Science, Parliament House, Brisbane, September.
Wave Writer, International Symposium of Electronic Art 2004, Tallinn, Estonia, www.wavewriter.net
2003
Temporal Intervals, Brisbane Powerhouse, Brisbane & on-line, 23 June - 7 July.
2001
Incisions, Multimedia Art Asia Pacific, Brisbane Powerhouse, Brisbane.
2000
Close of 2000, catalogue Launch, XB, Butterfactory, Dayboro, Brisbane.
1999
Ourobouros, Tribikos, Beryllium, Sci-Art ’99, Sciencentre, Brisbane.
The Post-Card Show, Linden Gallery, Melbourne.
Indexical, Customs House, Brisbane.
U.D. XB, Butterfactory, Dayboro, Brisbane.
1998
Spills: the installation, Linden Gallery, Melbourne.
Spills, National Digital Art Awards, IMA, Brisbane.
A Spill, Fragility, Smith+Stoneley on Stratton, Brisbane.
Constructively Deconstructing, Artist’s Books and Multiples Fair ’98, Grahame Galleries + Editions, Brisbane.
Conference Presentations
2013
“A space to Cross”, AASG @ Sydney: Life in the Anthropocene, The University of Sydney, 8-10 July.
“Shivering domains: technologically mediated embodiment and ecologies” ISEA 2013, Sydney, 7-16 June.
2012
“Re_mediations in the Bio_digital”, Transdisciplinarity, VCA, Melbourne
2011
“Corporeal Expressions”, ISEA 2011, Istanbul,
“In the City of the Apis Queen”, ISEA 2011, Istanbul
“Shivering Boundaries”, ISEA 2011, Istanbul
“Apis Queen”, Rewire Conference of Media Histories, Liverpool, U.K.
“Mediating Corporeality: Reinterptetations at the Art/Science Interface”, Virtual Anatomies Symposium, The University of Queensland.
2009
“Changing Fates”, artscience@the interface, State Library Queensland, March
“Pluripotent Stem Cells: an artist grows her own”, Eye of the Storm Symposium, Tate Britain, June
2008
International Symposium of Electronic Art, Singapore, July/August.
2007
perthDAC Conference, The Future of Digital Media, Perth, www.beap.org , September.
2006
New Constellations Art/Science Conference, Museum of Contemporary Art, Sydney, March.
2005
Speculation & Innovation, QUT Creative Industries, www.speculation2005.qut.edu.au , April.
‘Strange Bedfellows: Art & Science’, Arc Biennial, Brisbane, www.arcbiennial.com, October.
2001
Excessively Close & Personal, Multimedia Art Asia Pacific, Brisbane Powerhouse, October.
Publications
Peer Reviewed
2010
Adams, P. “Exploring Mixed Realities and Scientific Visualisations in
Art/Scienc collaborations” in The Scientific Imaginary in Visual
Culture, Smelik, A. (ed.), V & R unipress: Goettingen, Germany, 2010
Adams, T & Burrell, A. ‘mellifera: a mixed reality project 2009-10’,
“Second Nature”,Vol 2, No 1, pp 288-303, (2010)
http://secondnature.rmit.edu.au
2009
‘machina carnis’, Trish Adams, Creative Data Issue, eds. Eric champion, Jack Ox & Jeremy Hight, Leonardo on-Line. http://www.leonardo.info
2008
Adams, T. Changing Fates: an exploration of biomedical transformations, Inaugural Special Issue, http://www.media-space.org.au/ , forthcoming.
Adams, T. Scientific visualisations and Mixed Realities at the Art Science Nexus, Conference Proceedings,
International Symposium of electronic Art, Singapore, 25 July – 3 August, 2008.
2007
Adams, T. Changing Fates: an exploration of biomedical transformations in Proceedings of perthDAC 2007, The 7th International Digital Arts & Culture Conference, Hutchison, A. (ed.), Curtin University of Technology: Perth, Sept. 15-18, 2007, pp. 11-20.
2006
Adams, T. ‘machina carnis’: a productive art/science collaboration, Conference Proceedings, New Constellations: Art, Science & Society, MCA, Sydney, 17-19 March, 2006.
Adams. P. Leonardo Abstract Service, http://leonardolabs.pomona.edu/result.php?lea=217 .
2005
Adams, P. The Implications for Artistic Expressions and Representations of Corporeality of the Experimental Techniques of Biomedical Engineering, Doctor of Visual Arts Thesis, Griffith University, 2005.
Other
2005
‘Vital Forces 01-03’, Speculation & Innovation, QUT Creative Industries, http://www.speculation2005 , April.
1999
Adams, P. Hi Inlander, make, Vol.86, Dec.1999 – Feb. 2000, pp.28-29. 1999.
Selected Professional Activities
2010
‘mellifera’ Forum Panel: Drawing Out Conference, RMIT, April
2009
Artist Talk, Experimental Art Foundation, Adelaide, April
2008
Guest Lecture, Faculty of Fine Arts, University of Newcastle, 21st May.
Artist Talk, The University Art Museum, The University of Queensland, 29th March.
2007
Artist-in-Residence, Queensland Brain Institute, The University of Queensland, September 2007, ongoing.
2006
Artist Talk X 2, ‘ReActive: Interactivity & contemporary Art’, QUT Creative Industries, Brisbane, February.
Participant, Physical Camera & Telematic Performance, Performance Space, Sydney, September.
Presentation, ‘Aspects of Corporeality’, Queensland College of Art, Griffith University, Brisbane, September.
Artist Talk, Queensland College of Art, Griffith University, Brisbane, September.
2005
Attendee, ‘Vital Signs’, Conference, Melbourne, July.
Artist Talk, Queensland College of Art, Griffith University, Brisbane, September.
Participant, ‘Create Space’, ANAT New Media Lab, Melbourne, www.anat.org.au, October.
2004
Attendee, International Symposium of Electronic Art, Tallinn & Helsinki, August.
Attendee, Politics & Culture: Performance Space Initiative, Sydney Museum. November.
2002
Attendee, Fathoming Sculpture, Symposium, Gold Coast Gallery, Queensland, May.
Participant, Lisa Reihana New Media Workshop: APT2002, Brisbane, September.
Attendee, Sci-Art Conference, New York, December.
Participant, Art/Science Collaborative Project: “SymbioticA” & The University of Queensland, in phases.
2001
Participant, orientation residency, “SymbioticA” and the I.A.A.F. UWA, http://www.symbiotica.uwa.edu.au/residencies/residents2
2000
Participant, ‘Alchemy’: ANAT Masterclass for New Media, Brisbane Powerhouse, May/June.
NMM014: Certificate 11, 3D Studio Max, Qantm, Brisbane.
Bibliography
2010
‘mellifera’:a Galapogos for the future?, eyeline, No. 71, pp. 30-32, Jackson, B.
2008
bee art: exchange systems, Real Time, No. 84, p. 31, http://www.realtimearts.net/article/issue84/8951 , Hooper, G.
Bees at a Still Edge: Trish Adams, (Catalogue Essay) Helmrich, M.
2006
The Deep End, ABC Radio, Munster, A. 16th March.
2005
Art from the Heart, Real Time, No. 68, p. 35. http://www.realtimearts.net Zuvela, D.
2003
Vital Forces, Real Time, No 57, p.24. http://www.realtimearts.net Zuvela, D.
Temporal Intervals fine Art forum, Vol.17, No.11, Part 1, November 2003. http://www.finartforum.org/Backissues/Vol_17/faf_n11/reviews/reviews_index.html , Carolli, L.
Temporal Intervals, eyeline, No. 52: p.53. Carroli, L.
Temporal Intervals: An Experiment for Vital Force, (Catalogue Essay) Jackson, B.
1999
The Spiral Time Concept at the Sideshow. eyeline, Vol.41, Summer 1999/2000, pp.45-46. Cox,D.
Awards
2008
The Australia Council for the Arts Inter Arts Office & Visual Arts Board ‘MMUVE IT!’ initiative, co-collaborator: http://mellifera.cc
The Australia Council for the Arts Visual Art & Craft Board New Work Grant.
2004
The Australia Council for the Arts New Media Fund out-of-time grant
Griffith University Post-doctoral student Overseas Conference Travel Grant.
2003
Arts Queensland Small Grant.
Conference & Workshop Quick Response Fund, ANAT.
2003 - 2005
A.P.A. Research Scholarship (3 years & 6 months).
2001
Arts Queensland Digital Media Innovative Works Fund Grant.
Commissions
2002
Public Art Project, Yeronga Institute of TAFE.
2001
Publicity Image Design, School of Biomedical Sciences, The University of Queensland.
Memberships
Australian Network for Art & Technology (ANAT), Adelaide.
Queensland Artworkers Alliance, Brisbane.
